Mumford & Sons I Will Wait

It has taken nearly a year since its original release but Mumford & Sons I Will Wait is finally getting the commercial success it deserves!

“We wanted to do something unashamed,” says Ben Lovett. “We’re confident and happy to be where we are as a band — everything that’s happened with us has exceeded expectations, and it’s all been a surprise, it’s all much bigger than what we were prepared for. So when we came to recording this record we had a choice: to shy away from that, or to realise that people dig what we’re doing, and make something robust, with that energy.” Mumford & Sons Website

Mumford & Sons I Will Wait with Rhode Island Wedding DJ

Mumford & Sons I Will Wait Critical Response

The song has received generally favourable reviews. Grady Smith of Entertainment Weekly gave the song a positive review, saying how the song “hearkens back to their Grammy-nomination-festooned single “The Cave” with its shouted refrain, triumphant horns, a driving kick drum, and an earnest lyric about a relationship so perfect it has Marcus Mumford kneeling down in reverence, raising his hands, and wishing for his mind to be “freed from the lies.”” Stephanie Middleton of The Celebrity Cafe said, “With untouched vocals and harmonies, the boys manage to create yet another genuine Mumford & Sons track.”

Katie Hasty of HitFix gave the song a B+, saying “Marcus is a softie, but he’s got a problem with repetition,” but also said “they bring it home when they jump up an octave and beat the hell out of the chorus.” She concluded with, “This song could be really huge.” Liv Carter of Urban Country News awarded the song a ‘thumbs-up’. Reviewing the song after it started receiving airplay at country radio, she called it “a perfect piece of folk-rock that more than deserves to be introduced to the wider country radio audience.” Rolling Stone magazine named the song the 13th best song of 2012.

Mumford & Sons I Will Wait Music Video

The Mumford & Sons I Will Wait Story

During the year, the band had been releasing new songs from their second album online or performing them at concerts. Marcus Mumford told MTV that the song “reflects the band’s hectic life on the road – which shaped the new album’s sound.” Ted Dwane told Rolling Stone, “Being away so much for the last couple of years is inevitably a theme on the record, because it’s something that we’ve all shared.” The song was played live in various forms through 2010-2011 under the working title ‘Nothing Is Written’.

What is your favorite part of Mumford & Sons I Will Wait?

DJ Mystical Michael Rhode Island DJ & Boston DJ

973.908.8147

Karley & Dan Wedding

Gallery

This gallery contains 32 photos.

DJ Mystical Michael Rhode Island DJ & Boston DJ 973.908.8147

DJ Classic Rock Mix III

This is the third download in the DJ Classic Rock Mix series, DJ Classic Rock Mix III. This DJ Classic Rock Mix begins with The Kinks, includes The Rolling Stones and a medley by The Who and finishes with The Allman Brothers, and a host of other Classic Rock songs. As all these DJ Mixes have been, so much fun to make and hard to leave-out songs that would work great. My definition of Classic Rock is more expansive than any listed below, but thought you might appreciate some of these.

DJ Classic Rock Mix III

      Classic Rock Mix III - DJ Mystical Michael

Classic Rock. There are usually few people who would deny that this genre has some of the best music ever, especially with legendary bands like The Beatles, Led Zeppelin, The Rolling Stones, Jimi Hendrix and The Doors.

Definitions of Classic Rock

But one debate about classic rock still lingers on… and that is about the actual definition of classic rock. Some people say it’s a style of sound. Some people say it’s rock music that is older than 25 years old. Its often mentioned on this site, and people often ask my opinion. So I thought I would shed some more light on this long standing debate regarding the definition of classic rock.

To quote Wikipedia, here is their rather too detailed definition of classic rock

Classic rock is a radio format which developed from the album-oriented rock (AOR) format in the 1970s. The first station to broadcast the format full time, and the first station to use the term “classic rock” on the air was KRBE-AM (Houston) in 1983. Program director Paul Christy designed the format to play only early album rock, from the 1960s and early 1970s, without any current music or Top 40 material. In the United States, this rock music format now features a playlist of songs ranging from the 1960s and 1970s. The traditional classic rock genre usually ends in the early 1980s, with mid-80s additions from the hair metal genre only recently being considered “classic rock.” Some stations continue to (wrongly?) include a limited number of current releases.

Unfortunately in my opinion this doesn’t address a few key issues with this definition, which I have attempted to address with my very own definition of classic rock.  From, the Classic Rockers Network

DJ Classic Rock Mix III with DJ Mystical Michael - Rhode Island Rock DJ

A definition of classic rock which helps clarify things

‘Classic rock is a genre of music that combines a particular guitar-driven rock sound with a particular era of time. The classic rock era began in early 1960’s with rock n’ roll based bands like The Beatles and Rolling Stones, diversifying into bands like Led Zeppelin and The Doors.

The classic rock era ended in the early 80s, with the rise of modern pop music. It should not be confused with other rock genres like glam rock (e.g. David Bowie), heavy metal (e.g. Ozzy Osbourne and Metallica) and hair metal (e.g. Poison and Motley Crue). Even though new bands sometimes mimic the classic rock sound (e.g. The Black Crowes), they are not considered a true classic rock band because they are in the wrong era (not early 60s to early 80s). However, classic rock bands from the original era who still produce new music outside of that classic rock era (like The Rolling Stones) are grandfathered in and are still defined as classic rock (as long as their style hasn’t changed).

There is an entertaining debate about what is and what isn’t classic rock on this forum on Classic Rockers Network. Worth reading if you have the time.

If you would like me to send you a CD copy of the DJ Classic Rock Mix III or any of the DJ Classic Rock Mixes, I invite you to send e an email and I will mail it to you free of charge!

DJ Mystical Michael Rhode Island DJ & Boston DJ

973.908.8147

DJ Classic Rock Mix II

This is the second in the DJ Classic Rock Mix Series, DJ Classic Rock Mix II! It is full of great Classic Rock Songs spanning music from the 60’s to the 80’s. It begins with Supertramp and ends with Simon and Garfinkel. Some of the bands that are included are The Beatles(of course), Peter Gabriel, Elton John and Heart, to name a few.

DJ Classic Rock Mix II – DJ Mystical Michael

      DJ Classic Rock Mix II - DJ Mystical Michael

 

Classic rock music is a musical genre that relies heavily on popular songs that were produced in the 1960s, 1970s, and 1980s. Typically, the term is used to refer to radio stations. Most cities in the United States and in many other countries have at least one radio station that is dedicated to playing music from these decades. However, the term “classic rock” can also apply to musical groups in general.

DJ Classic Rock Mix II with U2 at Live Aid - Rhode Island Rock DJ

The earliest form of classic rock music radio station was called album-oriented rock, or AOR. Throughout the 1970s and early 1980s, these stations played current music as well as music from the past, but in the mid-1980s, most AOR stations stopped playing new music and began to focus exclusively on playing classic rock. The first radio station to call itself a classic rock music station was Philadelphia’s WYSP, in 1981; by 1984, more than 40 stations in the United States were using this term.

Some of the bands that are commonly associated with classic rock music are the Beatles, the Rolling Stones, Jimi HendrixAerosmithAC/DC, Queen, and the Eagles. Though some of the artists played on these stations are still actively recording music, only their earlier hits are represented on the airwaves. Some classic rock stations also include popular hard rock and metal bands from the 1980s, such as Guns ‘n Roses and Metallica. Recently, some stations have also begun to incorporate 1990s bands such as Nirvana, Pearl Jam, and Alice in Chains into their rotation.

Classic rock music is typically most popular among people who were young when the music first came out. Today, that group includes 50 year olds who listened to the Beatles when they were young, 40 year olds who listened to the Eagles, or even 30 year olds who listened to Nirvana in their teenage years. The audience is primarily male, and so are most of the DJs associated with classic rock radio stations. There are also several magazines devoted to this style of music, such as Relix and Uncut. wiseGeek

 

If you would like me to burn you a CD copy of DJ Classic Rock Mix II, I invite you to send me an email with your address and I will ship it to you free! Let me know what you think of DJ Classic Rock Mix II.

DJ Mystical Michael Rhode Island DJ & Boston DJ

973.908.8147

DJ Classic Rock Mix I

I am producing a series of DJ Classic Rock Mixes to share with you. It has been fun creating the playlist to choose songs. As has been the case with all the DJ Mixes I have produced, it is so hard to select songs when they are so any incredible Classic Rock Songs to choose from. This particular DJ Classic Rock Mix starts out with Electric Light Orchestra and ends The Eagles. There is some U2, Dusty Springfield and The Beatles mixed in with a bunch of other great music.

DJ Classic Rock Mix

      Classic Rock Mix I - DJ Mystical Michael

 

Classic rock is a radio format which developed from the album-oriented rock (AOR) format in the early 1980s. In the United States, the classic rock format features music ranging generally from the late 1960s to the late 1980s, primarily focusing on hard rock popularized in the 1970s. Although the format appeals mainly to adults, many classic rock acts consistently attract new generations of fans. Some classic rock stations also play a limited number of current releases which are stylistically consistent with the station’s sound, or from established classic rock artists who still produce new albums.

Jimi Hendrix and the DJ Classic Rock Mix from Rhode Island Rock DJ

The classic rock format evolved from AOR radio stations that were attempting to appeal to an older audience by including familiar songs of the past with current hits. In 1980, AOR radio station M105 in ClevelandOhio began billing itself as “Cleveland’s Classic Rock”, playing a mix of rock music from the mid-1960s to the present. In 1982, radio consultant Lee Abrams developed the “Timeless Rock” format which combined contemporary AOR with hits from the 1960s and 1970s. By 1986, the success of the format resulted in oldies accounting for 60–80% of the music played on album rock stations. Although it began as a niche format spun off from AOR, by 2001 classic rock had surpassed album rock in market share nationally.

DJ Classic Rock Mix from Rhode Island Rock DJ

If you would like a CD version of DJ Classic Rock Mix from Rhode Island Rock DJ, please write and I will send you one free. The next DJ Classic Rock Mix from Rhode Island Rock DJ in the series will be released next week!

DJ Mystical Michael Rhode Island DJ & Boston DJ

973.908.8147

U2 Bad

I was recently working on a project related to Live Aid, and was reminded of the powerful performance of U2 Bad at Wembley Stadium, London on July 13th, 1985. After further research, I was surprised to find out the content of U2 Bad.

U2 Bad at Live Aid with Rhode Island DJ

The U2 Bad Story

“Bad” began with an improvised guitar riff during a jam session at Slane Castle where U2 were recording The Unforgettable Fire.The basic track was completed in three takes. Of its immediate and live nature, U2 guitarist The Edge said “There’s one moment where Larry puts down brushes and takes up the sticks and it creates this pause which has an incredibly dramatic effect.” Producer Brian Eno added the sequencer arpeggios that accompany the song.

The early 1980s recession had led to high number of heroin addicts in inner city Dublin. In concert, lead vocalist Bono frequently introduced the song as a song about Dublin.[4]The Edge and the album’s producers, Brian Eno and Daniel Lanois, were focused on the music and less interested in the lyrics. Bono left the song unfinished.

During a July 26, 2011 concert in Pittsburgh, Bono explained before a performance of “Bad” that the song was written for “very special man, who is here in your city, who grew up on Cedarwood Road. We wrote this song about him and we play it for him tonight.”  He was referring to Andy Rowen, whom the song was originally written about in 1984 and who was present at the show. Rowen is brother of Bono’s Lypton Village friend Guggi and Peter Rowen, who is featured on the sleeve artwork for the band’s albums Boy and War.

U2 Bad at Live Aid with Rhode Island DJ

There are other versions of the story from Bono himself. His account from a 1987 concert in Chicago indicate “Bad” is about a friend of his who died of a heroin overdose and also about the conditions that make such events likely repeat themselves. Bono once commented in another concert (in the UK) about people lying in gutters with “needles hangin’ outta their fuckin’ arms while the rich live indifferently to the suffering of the less fortunate.” At Eriksberg, Gothenburg in Sweden 1987, he said: “I wrote the words about a friend of mine, his name was Gareth Spaulding. And on his 21st birthday he and his friends decided to give themselves a present of enough heroin into his veins to kill him. This song is called ‘Bad’.

U2 Bad at Live Aid

U2 participated in the Live Aid concert at Wembley Stadium for Ethiopian famine relief on 13 July 1985. They played a 12-minute version of U2 Bad, which was extended by snippets of Lou Reed‘s “Satellite of Love” and “Walk on the Wild Side“, and The Rolling Stones‘ “Ruby Tuesday” and “Sympathy for the Devil“. Bono leaped down off the stage to embrace and dance with a fan, which was captured on the TV broadcast sent around the world. The performance was so long that the band was only able to play two of the three songs in their set, leaving out “Pride (In the Name of Love)“, which was supposed to end the band’s performance. The concert turned out to be a breakthrough moment for the band, showing a television audience of millions the personal connection that Bono could make with audiences. Only a week later he realized that the dance with the fan became a key image of Live Aid. All of U2’s albums re-entered the charts in the UK after their performance. In 1985, Rolling Stone called U2 the “Band of the 80’s,” saying that “for a growing number of rock-and-roll fans, U2 have become the band that matters most, maybe even the only band that matters.”

U2 Bad Original Studio Version

It almost comical to think at that point they felt like they had to introduce themselves, based on the amount of global success U2 has enjoyed since then.

U2 have released 12 studio albums and are among the all-time best-selling music artists, having sold more than 150 million records worldwide. They have won 22 Grammy Awards, more than any other band, and in 2005, they were inducted into the Rock and Roll Hall of Fame in their first year of eligibility. Rolling Stone ranked U2 at number 22 in its list of the “100 Greatest Artists of All Time”. Throughout their career, as a band and as individuals, they have campaigned for human rights and philanthropic causes, including Amnesty International, the ONE/DATA campaigns, Product Red, and The Edge’s Music Rising.

U2 Bad at Live Aid with Rhode Island DJ

U2 Bad Lyrics

If you twist and turn away
If you tear yourself in two again
If I could, yes I would
If I could, I would
Let it go
Surrender
Dislocate

If I could throw this
Lifeless lifeline to the wind
Leave this heart of clay
See you walk, walk away
Into the night
And through the rain
Into the half-light
And through the flame

If I could through myself
Set your spirit free
I’d lead your heart away
See you break, break away
Into the light
And to the day

To let it go
And so to fade away
To let it go
And so fade away

I’m wide awake
I’m wide awake
Wide awake
I’m not sleeping
Oh, no, no, no

If you should ask then maybe they’d
Tell you what I would say
True colors fly in blue and black
Bruised silken sky and burning flag
Colors crash, collide in blood shot eyes

If I could, you know I would
If I could, I would
Let it go…

This desparation
Dislocation
Separation
Condemnation
Revelation
In temptation
Isolation
Desolation
Let it go

And so fade away
To let it go
And so fade away
To let it go
And so to fade away

I’m wide awake
I’m wide awake
Wide awake
I’m not sleeping
Oh, no, no, no

U2 Bad is a great song that is part of U2’s live performances worldwide and very popular among their fans. What about U2 Bad is most intriguing and powerful for you?

DJ Mystical Michael Rhode Island DJ & Boston DJ

973.908.8147

Crash Test Dummies Superman’s Song

I love Crash Test Dummies Superman’s Song! It is such a unique song with all kinds of fun and curious pieces. Crash Test Dummies Superman’s Song was the first single of the Canadian folk-rock group Crash Test Dummies and came from their 1991 debut album The Ghosts That Haunt Me. The single was the group’s first hit, charting in both Canada (#4) and the United States (#56). It was also featured in the pilot of the Canadian TV series Due South and appeared on the first Due South soundtrack album.

The song was covered by Lucy Wainwright Roche, daughter of Loudon Wainwright III and Suzzy Roche of The Roches, on her second EP “8 More.” It also has been covered by Nataly Dawn.

Crash Test Dummies Superman’s Song Music Video

Crash Test Dummies Superman’s Song Story

Crash Test Dummies Superman’s Song is a slow funeral dirge, mournfully telling the story of Clark Kent/Superman, as if he had recently died. The central theme is the death of the selfless hero. The song notes that Superman had the power to commit great evil and bring himself unfathomable riches, but instead chose to use his powers for good, while expecting no payment for his deeds.

The chorus emphasizes this theme:

Superman never made any money
For saving the world from Solomon Grundy
And sometimes I despair the world will never see
Another man like him

Throughout the song, Crash Test Dummies Superman’s Song, Brad Roberts contrasts Superman and Tarzan, whom he considers a crude, rough, and uncivilized antihero.

This tribute to the Man of Steel predates his eventual death and his replacement by four new heroes claiming to be the “new” Superman.

Crash Test Dummies Superman's Song with Rhode Island Wedding DJ

Crash Test Dummies Superman’s Song Video Story

The music video for the song was directed by Dale Heslip and features the band singing at a funeral for Superman attended by various aging superheroes. Some depicted are a middle aged Wonder Woman-like character, The Green Hornet, and possibly Green Lantern (Alan Scott). It won the MuchMusic Video Award for Best Video in 1991.

There is no mistaking Brad Roberts’ voice. He may look like an average guy, now in his mid- 40s, but then he opens his mouth and his majestic baritone voice immediately conjures fond memories of such Crash Test Dummies hits at “Mmm, Mmm, Mmm, Mmm” and “Superman.” Perhaps best remembered for the acerbic folk rock sound of 1991’s The Ghosts That Haunt Me and 1993’s God Shuffled His Feet, there have nonetheless been enough hits for the band over the years to merit a couple of greatest hits packages. Through it all, the band with Roberts at the helm has touched on funk and soul, folk, electronic music and even Christmas tunes. Yet it is Roberts’ voice and offbeat lyrical sensibility that have been this beloved band’s calling cards since their founding twenty years ago.” Crash Test Dummies Official Site

Where did the Crash Test Dummies get their name?

“Crash Test Dummies was adopted initially as a joke, at the suggestion of a friend in medical school. Apparently through constant use, the name stuck. Among other monikers considered were Skin Graft and the Chemotherapists.”

Crash Test Dummies Superman's Song with Rhode Island Wedding DJ

“I think that when you are dealing with popular music, unless you have a strong melody, sympathetic chords, and a good set of lyrics you ain’t got nothing,” Roberts points out. Foreshadowing the highly entertaining shows for which he is so well known, Roberts adds “I want to have a little room to digress into an anecdote while Stuart strums the guitar, if that’s what I feel like doing.”

I think Crash Test Dummies Superman’s Song is such a compelling and interesting tune. Somehow the somber elements contrast so nicely with Roberts Baritone voice and superhero tone and lyrics. It is a fun song for a DJ to play in unique situations.

Crash Test Dummies Superman's Song with Rhode Island Wedding DJ

 

It has been suggested that Crash Test Dummies Superman’s Song would also be a fun ad interesting Father-Daughter Dance at a Wedding for a Bride that wants a song about she feels about her father. Most Father-Daughter Dance Songs are typically about how he feels about the daughter. Crash Test Dummies Superman’s Song makes for a nice change of pace if you feel moved to do so. I invite you to contact me about other unique Father-Daughter Dance Songs or any special songs you need ideas.

What do you find most compelling about Crash Test Dummies Superman’s Song?

DJ Mystical Michael Rhode Island DJ & Boston DJ

973.908.8147

DJ Soft Rock Cocktail Hour Mix

I gratefully continue to receive calls from Brides and Grooms requesting their professional Wedding DJ to play Rock Music at the Cocktail Hour and Reception of their Wedding. This makes me happy since Rock Music is not as popular today among younger people as it was before the rise of Hip Hop, Rap and R&B. Of course, just like Hip Hop and Rap, the professional Wedding DJ needs to be mindful of not playing music that is too hyped-up or loud during the Cocktail Hour of Weddings and make sure those who are elderly or want to enjoy conversation and relaxation during the Cocktail Hour, are not overpowered by the music. This is what I created the DJ Soft Rock Cocktail Hour Mix for.

 

It is hard for me as an ‘old school’ professional DJ to make mixes that cut songs short and segue to songs that maybe do not belong together in order to include enough tunes to offer Brides and Grooms a large enough sample of what we can play at their Cocktail Hour or Reception in a mix like this. I even struggle when doing this with Dance mixes but when it comes to Rock, I struggle greater due to the nature of Rock Music and the integrity of the lyrical content and musicians talent. I guess we all have to make some concessions as professional Wedding DJs to serve our Brides and Grooms best and help them decide what music they want at their weddings.

DJ Soft Rock Cocktail Hour Mix

      Soft Rock Cocktail Hour Mix - DJ Mystical Michael

This same mix would also work well as a sample for a Birthday, Anniversary or Reunion Party for those whom would like Rock Music played during Dinner at their event too!

Beautiful Rhode Island Wedding DJ with DJ Soft Rock Cocktail Hour Mix

Let me know what you think.

DJ Mystical Michael Rhode Island DJ & Boston DJ

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