This week’s DJ Music Chart has Katy Perry “Roar” number 1 for the second week in a row. Creeping up to number 2 is Lana Del Rey “Summertime Sadness”, which I received a request to play last night. The rest of the top five include Avicii “Wake Me Up”, Capital Cities “Safe and Sound”and Lorde “Royals”.
DJ Music Chart – Week of 9/30
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DJ Music Cart featuring Lana Del Rey
Elizabeth Woolridge Grant (born June 21, 1986), known by her stage nameLana Del Rey, is an American singer-songwriter. Del Rey started writing at the age of 18 and she signed her first recording contract when she was 22 years old with 5 Points Records in 2007, releasing her first digital album Lana Del Ray a.k.a. Lizzy Grant in January 2010. Del Rey bought herself out of the contract with 5 Points Records in April 2010. She signed a joint contract with Interscope, Polydor, and Stranger Records in July 2011.
After she released her debut single “Video Games” in June 2011, a music video created by Del Rey for the song was posted on YouTube in August 2011. After the song became a viral internet hit with over 20 million views, her second studio album, Born to Die, was released in January 2012. The album has sold over 5 million copies worldwide to date, and was the fifth best-selling album of 2012. Charting across Europe, this album spawned numerous top ten hits, including “Blue Jeans“, “National Anthem“, “Born to Die“, and “Summertime Sadness.”
With the release of her third EP, Paradise, Del Rey spawned her second top ten album in the United States, debuting at number 10 on the Billboard 200 with 67,000 copies sold in its first week. To date, her discography includes two full-length studio albums, three EPs, seven singles, and eight music videos. A highly decorated musician and cinematographer, she has won the Q Awardfor “Best New Thing”, a GQ Award for “Woman of the Year”, a BRIT Award for “International Breakthrough Act” and another for “International Pop Female Solo Artist”, and an EMA for “Best Alternative Act“.
This weeks DJ Music Chart finally has a change at the top! Katy Perry “Roar” has replaced Robin Thicke “Blurred Lines” after it topped the DJ Music Charts the entire summer. Capital Cities “Safe and Sound” moves up to number 2 with Zedd “Clarity” moving up to number 3. Lana Del Ray “Summertime Sadness” fills out the top five along with “Blurred Lines”.
The song received generally positive reviews from music critics, who thought it was a “determined note” for Perry’s new album and described it as a “sure-to-be radio hit”. Although most reviews were positive, some thought the lyrics were predictable and contained “clichés“. The single became the singer’s eighth non-consecutive US Billboard Hot 100 number one, and gave Perry her biggest digital song sales week ever, breaking her previous record held by “Firework“. The song also peaked within the top 10 of 25 other charts, while topping music charts at 9 countries in total. A video for “Roar” was released on September 5, 2013, which was directed by Grady Hall and Mark Kudsi, and filmed at the Los Angeles County Arboretum and Botanic Garden.
Perry was criticized by PETA for using exotic animals in the video for “Roar”. Merrilee Burke from PETA stated: “Animals used for entertainment….. endure horrific cruelty and suffer from extreme confinement and violent training methods. They often become stressed and anxious when hauled around and forced into unfamiliar or frightening situations.” Burke also declared that the animals involved in the music video were allegedly provided by a company who was criticized by US officials. Wikipedia
This week’s DJ Music Chart has Robin Thicke on top again with “Blurred Lines”. The remainder of the top ten has stayed mostly the same with Selena Gomez, Daft Punk, Imagine Dragons and Macklemore rounding out the top five.
DJ Music Chart Week of 7/9
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DJ Music Chart Tops Blurred Lines Controversy
Robin Thicke has hit back at critics who called his hit song “Blurred Lines” (and its corresponding music video) as misogynistic. “I can’t even dignify that with a response, that’s ridiculous,” Thicke told BBC’s Radio 1.
He did, of course, dignify that with a response. Here it is: “I don’t want to be sleazy, I’m a gentleman, I’ve been in love with the same woman since I’ve been a teenager. I don’t want to do anything inappropriate.”
Thicke says that his wife, actress Paula Patton, actually pushed him to release the NSFW version of the video that was pulled from and re-added to YouTube. “My initial response was I love the clothed version, I don’t think we should put out the naked version,” he said. “And then I showed it to my wife and all of her girlfriends and they said, ‘You have to put this out, this is so sexy and so cool.'”
In the clip, Thicke, Pharrell Williams and T.I. cavort with naked models, flipping their hair and generally dancing around them. Some critics dubbed the video and song “rapey,” pointing to lines like “I know you want it” and the video as “blurring” the lines of consent and agency.
Not so, says Thicke. “For me it’s about blurring the lines between men and women and how much we’re the same,” he said. “And the other side which is the blurred lines between a good girl and a bad girl, and even very good girls all have little bad sides to them.”
What do you think about the top song on DJ Music Chart this week? Are the video and lyrics over the line?
Macklemore and Ryan Lewis “Can’t Hold Us” continues to top the DJ Music Charts for the fourth consecutive week. This particular chart is from DJ playlists nationwide and is different than the Billboard Hot 100, which has Robin Thicke “Blurred Lines” number 1. The top five of this week’s DJ Music Chart has Icona Pop, Selena Gomez, Justin Timberlake and Daft Punk all holding strong with Daft Punk “Get Lucky” reaching number 5 for the first time.
DJ Music Chart for Week 6/25 – C.H.R Format
Contemporary hit radio (also known as CHR, Contemporary Hits, Hit List, Current Hits, Hit Music, Top 40, or Pop Radio) is a radio format that is common in the United States, United Kingdom, Canada and Australia that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, CHR most often refers to the CHR/pop format. The term Contemporary Hit Radio was coined in the early 1980s by Radio & Records magazine to designate Top 40 stations which continued to play hits from all musical genres such as pop music splintered into Adult contemporary, urban contemporary and other formats. The term Top 40 is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe Top 50; Top 30; Top 20; Top 10; Hot 100 (each with its number of songs) and Hot Hits radio formats, but carrying more or less the same meaning and having the same creative point of origin with Todd Storz as further refined by Gordon McLendon as well as Bill Drake. Omnilexica.com
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What is your current favorite song on the DJ Music Chart this week?
This weeks DJ Music Chart has Macklemore and Ryan Lewis on top again with “Can’t Hold Us”. This is their second number hit this year along with “Thrift Shop”. The rest of the top five of this DJ Music Chart has just switched order from last week with Justin Timberlake, Pink, Icona Pop and Selena Gomez.
DJ Music Chart Week of 6/10
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Contemporary Hit Radio, or CHR, focuses on playing new hit songs and a limited play list. In recent years, heavily researched mass appeal oldies have joined the mix.
Modern CHR is a derivative of the Top 40 radio format that dominated the radio landscape in its heyday, the 1960s. A pure CHR format will play songs from a number of music genres including Pop, Rock, Urban and even Country. A CHR station picks the highest chart performing songs for its playlist and rotates, or repeats, the tunes in a very tight turnover that will often repeat the hottest songs every hour or two.
The Early History of the CHR Format
Early Top 40 radio, the precursor to today’s CHR format, found its foothold as TV began to dominate the media landscape and radio stations turned away from radio theater programs toward recorded music formats. Top 40 is exactly as it says it is – the top 40 hit songs of the day, targeted to a local audience. Top 40 also heralded the era of the Disk Jockey, and the local radio personality became the star along with the tight rotation of popular music. Early programming pioneers of Top 40 include Gordon McLendon, Rick Sklar and Todd Storz. The first Top 40 radio stations included, KOWH-Omaha, WABC-New York, KLIF-Dallas and KHJ-Los Angeles. Ham Chat Forum
What is your favorite song on the Current DJ Music Cart for Contemporary Hot Radio?
This week’s DJ Music Chart is in the format of Contemporary Hit Radio (CHR). The top five songs are by Justin Timberlake, Pink, Macklemore, Rihanna and Demi Lovato with “Mirrors” on top of the DJ Music Chart the week of May 21, 2013
The following DJ Music Chart is based on MediaBase data and is updated weekly. MediaBase monitors more than 1500 radio stations 24-hours-a-day, 7-days-a-week, in the top 140 US metro markets. Prime Cuts Music
DJ Music Chart – Contemporary Hit Radio (CHR) Format
” A station which plays a significant amount of current popular music, whether singles or album cuts. As it is no longer unusual for a single to remain on the charts for 30-40 weeks or longer, “current” refers to music released within the last year. A more accurate description for “CHR” would be “Current Hit Radio”. This format is the descendent of the Top 40 stations popular from the 50’s through the 80’s.
Although some CHR stations base their playlists on surveys of local record sales or phone requests, most rely on published charts such as the Billboard Hot 100. As of December, 1998, the Billboard Hot 100 chart began to include popular album tracks not commercially released as singles, and began weighing a song`s airplay three times as heavily as a song`s sales. The Billboard Hot 100 chart is therefore a measure of which songs are being played on CHR stations which, in turn, base their playlists on Billboard`s Hot 100 chart.
Contemporary Hit Radio stations tend to concentrate on specific music styles, such as Rock or Urban, or a range of styles, such as Rock/Pop/Dance or R&B/Rap/Dance. Some CHR stations play a significant amount of hits released during the past ten or fifteen years, particularly if there are insufficient current hit releases which fall within the station’s stylistic range.” New York Radio Guide
In plain English, CHR Format is Pop and Top 40 Radio Music, and the genre that compromise Top 40 typically. Which song is your current favorite form the DJ Music Chart this week?
I thought it would be helpful to post the Weekly DJ Music Charts weekly to keep you up to date on what DJs are playing in America currently. The DJ Music Chart I will post weekly will be the Contemporary Hit Radio (C.H.R.) Chart. I may post other charts from time-to-time as well.
Contemporary hit radio (also known as CHR, Contemporary Hits, Hit List, Current Hits, Hit Music, Top 40, or Pop Radio) is a radio format that is common in the United States, United Kingdom, Canada and Australia that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, CHR most often refers to the CHR/pop format. The term Contemporary Hit Radio was coined in the early 1980s by Radio & Records magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary,urban contemporary and other formats. The term Top 40 is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe Top 50; Top 30; Top 20; Top 10; Hot 100 (each with its number of songs) and Hot Hits radio formats, but carrying more or less the same meaning and having the same creative point of origin with Todd Storz as further refined by Gordon McLendon as well as Bill Drake. The format became especially popular in the sixties as radio stations constrained disc jockeys to numbered play lists in the wake of the payola scandal.
Pink “Just Give Me A Reason” is currently number 1 on Billboard Charts Hot 100 with Rihanna “Stay” right behind it, but they are reversed on these DJ Music Charts. Bruno Mars “When I Was Your Man” was number 1 the week before on Billboard Hot 100. Macklemore and Ryan Lewis have two Top Ten Hits and holding strong.
What song is your current favorite on the DJ Music Charts?
I was introduced to Lindsey Stirling and her music about a year ago. I am a member of Conscious Dance Deejays and there is where I was pointed to her music.
From the Conscious Dance Deejays Site:
“Our group is for people who provide music for: freestyle dances, ecstatic dances, dance jams, barefoot boogies, healing dances, dance rituals, community dances, contact improvisation, Earthdance, 5Rhythms (TM), Sweat Your Prayers (TM), Nia, Soul Motion (TM), Body Choir (TM), Core Connexion, Biodanza, or any dance form promoting freedom of expression and/or positive social or individual change.”
For those who may not of heard of Lindsey Stirling, she is amazing! I love her music, mission and intention as an artist and woman.
Lindsey Stirling Crystalize Music Video
Lindsey Stirling (born on September 21, 1986) is an American violinist, musician, dancer, performance artist, and composer. She presents choreographed violin performances, both live and in music videos found on her YouTube channel, Lindseystomp, which she introduced in 2007. In 2010, Stirling was a quarter-finalist on the fifth season of America’s Got Talent, where she was known as the Hip Hop Violinist.
Since 2010, Lindsey Stirling has released a self-titled album, an EP, and several singles. She performs a variety of music styles, from classical to pop and hip-hop to dubstep. Aside from original work, her discography contains covers of songs by other musicians and various soundtracks.
In December 2012, YouTube announced that Lindsey Stirling’s song, “Crystallize”, was the #8 top viewed video of 2012 with over 42 Million views. Stirling recently completed collaborations with Youtube Artists Tyler Ward and Pentatonix.
At the age of 5, after being influenced by the classical music records played by her father, Stirling began to study the violin. She took private lessons for 12 years. When she was 16, she joined a rock band with four friends called Stomp on Melvin. As part of her experience with Stomp on Melvin, Stirling wrote a solo violin rock song, and her performance helped her to win the state title ofArizona‘s Junior Miss and claim the Spirit Award in the America’s Junior Miss Finals competition. Lindsey Stirling was also a member of the Charlie Jenkins Band.
Lindsey Stirling Silent Night Music Video
In 2010, at the age of 23,Lindsey Stirling was a quarter-finalist on the fifth season of America’s Got Talent, where she was described as a “hip hop violinist”. Stirling’s performances were dubbed “electrifying” by the judges, and won the acclaim of the audience, but after she attempted to step up the dance level in her quarter-final performance judge Piers Morgan told her, “You’re not untalented, but you’re not good enough to get away with flying through the air and trying to play the violin at the same time”. Sharon Osbourne commented, “You need to be in a group. … What you’re doing is not enough to fill a theater in Vegas”. In her blog, Stirling confided, “I was devastated at the results … It was painful, and a bit humiliating; however, I had to relearn where it was that I drew my strength”. Stirling decided to continue to embrace her unique style of performance, promoting herself on the Internet. In a 2012 interview she remarked, “A lot of people have told me along the way that my style and the music I do … is unmarketable. But the only reason I’m successful is because I have stayed true to myself”.
Shortly after her performance on America’s Got Talent, cinematographer Devin Graham contacted her in hopes of making a YouTube video together. They agreed to shoot a music video for her song, “Spontaneous Me”. It was filmed the week of May 9, 2011. The video boosted Stirling’s popularity, and she began making music videos for her YouTube channel regularly. Graham has filmed almost all of her videos, while Stirling often does backup camera work and assists with his music videos. Stirling’s YouTube channel, Lindseystomp, which she created in 2007 and which is named after her first band “Stomp on Melvin”, is the main repository for her music videos. During 2011, the channel rapidly gained popularity and has over 242 million total views and over 1.5 million subscribers, as of February 2013. Her music is featured on Pandora, Spotify, and Last.FM. Lindsey Stirling also created a second YouTube channel, LindseyTime, in September 2012, in which she posts videos related to her life, vlogs, behind-the-scenes content, etc.
Lindsey Stirling has experimented in combining violin playing with hip hop and dubstep. Stirling’s collaborations with other musicians and singers have included Shaun Barrowes (on “Don’t Carry It All” – The Decemberists), Jake Bruene and Frank Sacramone (on “Party Rock Anthem” – LMFAO), Tay Zonday (on “Mama Economy”), Peter Hollens (on “Skyrim” and later with “Game of Thrones”), Alisha Popat (on “We Found Love”), John Allred (on “Tomb”), Kurt Schneider and Amiee Proal (on A Thousand Years), Megan Nicole (on “Starships”), and The Piano Guys (on “Mission Impossible”). She has also collaborated with the Salt Lake Pops orchestra and Alex Boye. Stirling’s debut album was released on September 18, 2012 in conjunction with a North American tour that same month.
Lindsey Stirling Cover Macklemore Thrift Shop Music Video
This is hysterical! I appreciate such a passionate and talented musician like Lindsey Stirling can make such a fun and playful video.
What do you think of Lindsey Stirling and her music? What Lindsey Stirling song did you like best?
From the first time I heard Macklemore Thrift Shop, I knew this was a song I would play again and again, and it would be a hit. I did not know how much of a hit Macklemore Thrift Shop would be though. As someone who enjoys shopping at thrift shops and vintage clothing stores, I am so happy there is a Pop Culture song that honors this fun, creative and well, thrifty way to shop.
Macklemore Thrift Shop Music Video (Has curses)
I typically try my best to not review songs that have graphic language but in this case I made an exception because the video is hysterical and the curses actually add the song, not just make it ‘cool’.
Macklemore Thrift Shop Story
“Macklemore Thrift Shop illustrates the speaker’s interest in buying cheap clothing from thrift shops, disdaining designer labels and trends. He claims to enjoy donning “your grandad’s clothes” and impulsively buying something just because “it was 99 cents”. Macklemore spoke to MTV News about the meaning of the song: “Rappers talk about, oh I buy this and I buy that, and I spend this much money and I make it rain, and this type of champagne and painting the club, and this is the kind of record that’s the exact opposite,” he explained. “It’s the polar opposite of it. It’s kind of standing for like let’s save some money, let’s keep some money away, let’s spend as little as possible and look as fresh as possible at the same time.” Upon asked why he thought the track was so successful, Macklemore replied: “I think hip-hop goes in waves, and it’s something that’s different. It’s a concept. It’s obviously against the status quo of what people normally rap about. This is a song that goes against all of that. How much can you save? How fresh can you look by not looking like anybody else? And on top of that, you have an infectious beat and a hook that gets stuck in people’s heads.” The song has been called a critique of the product placement common in modern hip hop.”
Macklemore Thrift Shop is a song by Seattle-based American rapper Macklemore and his producer Ryan Lewis. It was released as the fifth and final single from their collaborative debut studio album The Heist (2012) on October 8, 2012 and features vocals from Wanz. Despite being released on Macklemore’s independent label, with distribution by ADA, the single was met with unexpected commercial success, also a sleeper hit, peaking on the US Billboard Hot 100 at number 1 while selling over 3 million copies in total, also reaching number 1 in the United Kingdom, Ireland, Canada, France, Denmark, Australia and New Zealand. The song is the first independently-distributed title to top the BillboardDigital Songs since “We Are the World 25 for Haiti” in February 2010. It is also the second independent song in history to achieve the #1 spot on the Billboard Hot 100 chart, nearly 20 years after Lisa Loeb‘s “Stay (I Missed You)” in 1994. A music video was released to accompany the song’s release.
What could make me happier as a DJ than a song that reaches Billboard #1 about a thrift shop, being unique on an independent label! Thank you Macklemore Thrift Shop for providing some hope to the American record industry.
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