I am finally getting around to posting some of my DJ music mixes on Mixcrate. As a Rhode Island DJ, promoting my DJ music mixes and diversity is important. I also appreciate the opportunity to share DJ Music Mixes with others. I will add some of the links below to make easy for you to listen to these DJ music mixes. I invite you to add comments and feedback!
Mixcrate is an online audio distribution platform based in California, United States that enables its users to upload, promote and share their DJ music mixes to a worldwide audience and to help DJs promote and grow their careers as a professional DJ. It is a community-based platform aimed at DJs to promote their mixes and for fans to follow the work of their favorite DJs, but also caters to music listeners, club promoters, radio stations and event organizers to discover new talent.
Mixcrate was founded and launched by Chris Yee in November 2009. The idea for Mixcrate came about after Yee mentioned the idea to Genghis Mendoza while at their Silicon Valley tech job. Both Yee and Mendoza are from San Francisco and grew up within the mobile DJ scene of the Bay Area. They realized their passion for DJing and web development could create a user-focused destination that would build on the idea of a community. After the development of the site, it was launched to twenty DJ friends and family members to help test. The site gained international viewership from many countries around the world even during the testing period.
The service is described as “the premier platform to enable DJs to share their talent with a worldwide audience while connecting with their peers and fans.”
Mixcrate allows users to browse and listen to DJ music mixes on the site. Registered users can “like”, download (if enabled), save a mix to their playlist, and comment on a mix. Users can also “follow” other users, both DJs and listeners, to be notified of their recent activities on the site such as newly uploaded mixes (by DJs), recent likes and comments etc., which is displayed on the activity feed on the homepage. Registered DJs can upload an unlimited number of mixes, with a file size limit of 190MB for each mix.
Which DJ Music Mix did you like the most?
DJ Mystical Michael Rhode Island DJ & Boston DJ
Ask about my Rhode Island Wedding DJ & Rhode Island Party DJ Guarantee!
This week’s DJ Music Chart continues with Katy Perry “Roar” as number 1 for the third straight week. Right behind Katy Perry is Avicii “Wake Me Up”. Rounding out the top five are Lana Del Rey “Summertime Sadness”, Lorde “Royals” and Jay-Z “Holly Grail”.
DJ Music Chart – Week of 10/7
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This week we will review Avicii and “Wake Me Up”.
“Wake Me Up” (stylized as “Wake Me Up!“) is a song by Swedish DJ and music producer Avicii, which features uncredited vocals from American soul singer Aloe Black and acoustic guitar from Incubus‘ Mike Einziger. It was released in June 2013 as the first single from Avicii’s full-length debut studio album, True, which was released on 17 September 2013.
The song achieved critical and commercial success internationally, peaking at number one in much of Europe and charting well in all of the English-speaking world. The song has been described as a “summer anthem” by Variance Magazine and, throughout the 2013 festival season, Avicii included it as part of the opening or closing sequence of his sets at EDC Las Vegas, EDC London, Tomorrowland, Creamfields, Electric Zoo and iTunes Festival.
In an interview with the Daily Star, Avicii, who had previously labelled “Wake Me Up!” as “a fun experiment” during an exclusive chat with MTV UK, said: “I had a demo with Mac Davis singing, the guy who wrote all the Elvis Presley stuff, but I needed another singer to do the parts. At the same time I was tipped off about doing another track with Aloe Blacc and I started working on that track. When I was with Mike Einziger from Incubus, we came up with the chord progression and the melody for Wake Me Up but no real lyrics. None of us sing and we really needed to get that demo down and the only person I knew that lived in LA was Aloe, so I called him and he was free. Lyrics come really easy to him so he wrote them in a couple of hours and we finished the track.”
Robert Copsey of Digital Spy blog gave the song a positive review, stating:
“As chart-friendly EDM continues to reach the furthest corners of the globe, staying ahead of the pack can prove a tricky task – especially when more and more acts arrive on the scene turning out mixes with identikit build-ups, tired lyrics and uninspired breakdowns that newcomers to the arena lap up with excitement. Kudos to Avicii then, who has dared to try something a little different for his latest offering. “So wake me up when it’s all over/ When I’m wiser and I’m older,” featured artist Aloe Blacc sings over dialled-up, country-flecked guitar strums that sound like Mumford & Sons on speed. The jig-along chorus may conjure up images of Brits-on-tour, but to be honest, what summer anthem doesn’t?”
What is your new favorite song on the DJ Music Chart for the week of 10/7?
DJ Mystical Michael Rhode Island DJ & Boston DJ
Ask about my Rhode Island Wedding DJ & Rhode Island Party DJ Guarantee!
This week’s DJ Music Chart has Katy Perry “Roar” number 1 for the second week in a row. Creeping up to number 2 is Lana Del Rey “Summertime Sadness”, which I received a request to play last night. The rest of the top five include Avicii “Wake Me Up”, Capital Cities “Safe and Sound”and Lorde “Royals”.
DJ Music Chart – Week of 9/30
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DJ Music Cart featuring Lana Del Rey
Elizabeth Woolridge Grant (born June 21, 1986), known by her stage nameLana Del Rey, is an American singer-songwriter. Del Rey started writing at the age of 18 and she signed her first recording contract when she was 22 years old with 5 Points Records in 2007, releasing her first digital album Lana Del Ray a.k.a. Lizzy Grant in January 2010. Del Rey bought herself out of the contract with 5 Points Records in April 2010. She signed a joint contract with Interscope, Polydor, and Stranger Records in July 2011.
After she released her debut single “Video Games” in June 2011, a music video created by Del Rey for the song was posted on YouTube in August 2011. After the song became a viral internet hit with over 20 million views, her second studio album, Born to Die, was released in January 2012. The album has sold over 5 million copies worldwide to date, and was the fifth best-selling album of 2012. Charting across Europe, this album spawned numerous top ten hits, including “Blue Jeans“, “National Anthem“, “Born to Die“, and “Summertime Sadness.”
With the release of her third EP, Paradise, Del Rey spawned her second top ten album in the United States, debuting at number 10 on the Billboard 200 with 67,000 copies sold in its first week. To date, her discography includes two full-length studio albums, three EPs, seven singles, and eight music videos. A highly decorated musician and cinematographer, she has won the Q Awardfor “Best New Thing”, a GQ Award for “Woman of the Year”, a BRIT Award for “International Breakthrough Act” and another for “International Pop Female Solo Artist”, and an EMA for “Best Alternative Act“.
This weeks DJ Music Chart finally has a change at the top! Katy Perry “Roar” has replaced Robin Thicke “Blurred Lines” after it topped the DJ Music Charts the entire summer. Capital Cities “Safe and Sound” moves up to number 2 with Zedd “Clarity” moving up to number 3. Lana Del Ray “Summertime Sadness” fills out the top five along with “Blurred Lines”.
The song received generally positive reviews from music critics, who thought it was a “determined note” for Perry’s new album and described it as a “sure-to-be radio hit”. Although most reviews were positive, some thought the lyrics were predictable and contained “clichés“. The single became the singer’s eighth non-consecutive US Billboard Hot 100 number one, and gave Perry her biggest digital song sales week ever, breaking her previous record held by “Firework“. The song also peaked within the top 10 of 25 other charts, while topping music charts at 9 countries in total. A video for “Roar” was released on September 5, 2013, which was directed by Grady Hall and Mark Kudsi, and filmed at the Los Angeles County Arboretum and Botanic Garden.
Perry was criticized by PETA for using exotic animals in the video for “Roar”. Merrilee Burke from PETA stated: “Animals used for entertainment….. endure horrific cruelty and suffer from extreme confinement and violent training methods. They often become stressed and anxious when hauled around and forced into unfamiliar or frightening situations.” Burke also declared that the animals involved in the music video were allegedly provided by a company who was criticized by US officials. Wikipedia
As has been the case for most of this summer, Robin Thicke “Blurred Lines” is still #1. This week he is followed by Zedd “Clarity”, Maroon 5 “Love Somebody”, Imagine Dragons “Radioactive” and Calvin Harris “I Need Your Love”.
DJ Music Chart – Week of 8/27
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“Blurred Lines” is a song recorded by Canadian-American R&B recording artist Robin Thicke for his 2013 album of the same name. The song features guest vocals from American rapper T.I. and American singer and producer Pharrell; all three share writing credits on the song. It was produced by Pharrell. The song was released as the lead single from Blurred Lines on March 26, 2013 through Star Trak Recordings.
The single has peaked at number one on the US BillboardHot R&B/Hip-Hop Songs chart, as well as topping the BillboardR&B Songs chart. It has also become Thicke’s most successful song on the Billboard Hot 100, being his first to reach number one (and the top 10) on the chart (he previously peaked at number 14 on the Hot 100 with “Lost Without U“, in 2007). The song has been a worldwide hit, topping the charts in Australia, Canada, New Zealand, Ireland, Germany, the Netherlands, Poland and the United Kingdom, as well as the top ten in Belgium, Denmark, Lithuania, France, Iceland, Italy, Portugal and Switzerland. As of July 17, 2013, it is the second best-selling single of 2013 in the UK, the Official Charts Company confirmed that it had sold one million copies, behind Daft Punk‘s single “Get Lucky“, which also features Pharrell Williams, And as of August 8, 2013, it is also the second best-selling single of 2013 in the US having sold 4.614 million copies (it only trails “Thrift Shop” by Macklemore and Ryan Lewis featuring Wanz, which has sold 5.77 million copies in 2013). In the United States, the song topped the Billboard Hot 100 for eleven consecutive weeks, becoming the longest running number one single of 2013 and of the 2010s decade surpassing Rihanna‘s We Found Love (2011). This feat also gave him the eighth lead male solo artist in Billboard history to rack ten or more weeks at the number one spot for a single.
The music video was released on March 20, 2013, and was made in two versions; the first video features models Emily Ratajkowski, Jessi M’Bengue, and Elle Evans being topless, the second features them covered. The topless version of the video was removed from YouTube on March 30, 2013, for violating the site’s terms of service regarding nudity, though it was later restored, but flagged as inappropriate.
On July 28, 2013, “Blurred Lines” broke the record for radio audience previously held by Mariah Carey‘s We Belong Together in 2005. A press release from Interscope said as of the last week in July 2013, the track reached more than 242.65 million listeners.
“Blurred Lines” was produced by Thicke and Williams with an intention of creating a sound similar to Marvin Gaye’s “Got to Give It Up“. The song was completed in less than an hour. In an interview with GQ‘s Stelios Phili, Thicke explained: “Pharrell and I were in the studio and […] I was like, ‘Damn, we should make something like that [“Got to Give It Up”], something with that groove.’ Then he started playing a little something and we literally wrote the song in about half an hour and recorded it. Him and I would go back and forth where I’d sing a line and he’d be like, ‘Hey, hey, hey!’ We started acting like we were two old men on a porch hollering at girls like, ‘Hey, where you going, girl? Come over here!'” In a separate interview, Thicke clarified the meaning of the song’s title, saying it referred to “the good-girl/bad-girl thing and what’s appropriate.”All courtesy of Wikipedia.
How long do you think “Blurred Lines” will remain #1 of DJ Music Chart – Week of 8/27?
This week’s DJ Music Chart has Robin Thicke on top again with “Blurred Lines”. The remainder of the top ten has stayed mostly the same with Selena Gomez, Daft Punk, Imagine Dragons and Macklemore rounding out the top five.
DJ Music Chart Week of 7/9
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DJ Music Chart Tops Blurred Lines Controversy
Robin Thicke has hit back at critics who called his hit song “Blurred Lines” (and its corresponding music video) as misogynistic. “I can’t even dignify that with a response, that’s ridiculous,” Thicke told BBC’s Radio 1.
He did, of course, dignify that with a response. Here it is: “I don’t want to be sleazy, I’m a gentleman, I’ve been in love with the same woman since I’ve been a teenager. I don’t want to do anything inappropriate.”
Thicke says that his wife, actress Paula Patton, actually pushed him to release the NSFW version of the video that was pulled from and re-added to YouTube. “My initial response was I love the clothed version, I don’t think we should put out the naked version,” he said. “And then I showed it to my wife and all of her girlfriends and they said, ‘You have to put this out, this is so sexy and so cool.'”
In the clip, Thicke, Pharrell Williams and T.I. cavort with naked models, flipping their hair and generally dancing around them. Some critics dubbed the video and song “rapey,” pointing to lines like “I know you want it” and the video as “blurring” the lines of consent and agency.
Not so, says Thicke. “For me it’s about blurring the lines between men and women and how much we’re the same,” he said. “And the other side which is the blurred lines between a good girl and a bad girl, and even very good girls all have little bad sides to them.”
What do you think about the top song on DJ Music Chart this week? Are the video and lyrics over the line?
Tim McGraw has been making great music since the early nineties. I was first turned-on to his stuff when visiting a little Bed and Breakfast on Bluebird Mountain, North Carolina by this local acoustic musician playing “Don’t Take The Girl”. I was blown-away by the depth and simplicity of his lyrics and melodies, still am today. Tim McGraw Highway Don’t Care with Taylor Swift and Keith Urban seems to be a visit back to his earlier roots in its beauty and storytelling.
Thom Jurek of Allmusic, in his review of the album, wrote that “the hook is irresistible and McGraw’s vocal, paired with the young singer’s, is a perfect match.” Chuck Dauphin of Roughstock also reviewed the song favorably, saying that “this song flows well, with winning performances from two of the format’s top vocalists.” Billy Dukes of Taste of Country gave the song five stars saying that the track is arguably “one of the best collaborations of the decade — maybe even ever. Each artist brings his or her best effort to the song from McGraw’s Two Lanes of Freedom album. ‘Highway Don’t Care’ feels like a special moment from the very first listen, and only becomes more cathartic with time.” Jeff Benjamin of Fuse said the track has “major crossover potential.
Tim McGraw Highway Don’t Care Music Video
The song is a mid-tempo ballad where the male narrator is separated from his lover who is driving. Throughout the verses, he tells her what he “bets” she is feeling, when a song comes on her radio (its part sung by Swift) containing the lines “I can’t live without you, baby.” He also says that the highway she’s driving on won’t dry her tears, doesn’t care if she’s alone, doesn’t care if she’s going home(hence the song’s title), and several other things.
Tim McGraw Story
Samuel Timothy “Tim” McGraw (born May 1, 1967) is an American singer, songwriter and actor. Many of McGraw’s albums and singles have topped the country music charts with total album sales in excess of 40 million units in the US, making him the eighth best-selling artist, and the third best-selling country singer, in the Soundscan era. He is married to country singer Faith Hill and is the son of the late baseball player Tug McGraw.
In acknowledgement of his grandfather’s Italian heritage, McGraw was honored by the National Italian American Foundation (NIAF) in 2004, receiving the NIAF Special Achievement Award in Music during the Foundation’s 29th Anniversary Gala.
Tim McGraw Don’t Take The Girl Music Video
Tim McGraw Highway Don’t Care may be Taylor Swift’s strongest performance yet. She is perfect for the hook, “I can’t live without you, I can’t live without you, baby
I can’t live without you, I can’t live without you, baby, baby”.
Tim McGraw Highway Don’t Care Lyrics
Bet your window’s rolled down and your hair’s pulled back
And I bet you got no idea you’re going way too fast
You’re trying not to think about what went wrong
Trying not to stop ’til you get where you goin’
You’re trying to stay awake so I bet you turn on the radio
And the song goesI can’t live without you, I can’t live without you, baby
I can’t live without you, I can’t live without you, baby, baby
The highway won’t hold you tonight
The highway don’t know you’re alive
The highway don’t care if you’re all alone
But I do, I do.
The highway won’t dry your tears
The highway don’t need you here
The highway don’t care if you’re coming home
But I do, I do.
I bet you got a dead cell phone in your shotgun seat
Yeah, I bet you’re bending God’s ear talking ’bout me.
You’re trying not to let the first tear fall out
Trying not to think about turning around
You’re trying not to get lost in the sound but that song is always on
So you sing along
I can’t live without you, I can’t live without you, baby
I can’t live without I can’t live without you baby, oh baby
The highway won’t hold you tonight
The highway don’t know you’re alive
The highway don’t care if you’re all alone
But I do, I do.
The highway won’t dry your tears
The highway don’t need you here
The highway don’t care if you’re coming home
But I do, I do.
I can’t live without you, I can’t live without you, baby
I can’t live without I can’t live without you, baby, oh baby
The highway don’t care
The highway don’t care
The highway don’t care
But I do, I do.
I can’t live without you, I can’t live without you, baby
I can’t live without I can’t live without you, baby, oh baby
(The highway don’t care
The highway don’t care
The highway don’t care
But I do, I do) [x3]
I can’t live without you, I can’t live without you, baby
Enjoy Tim McGraw Highway Don’t Care!
Where do you think this ranks as far as Taylor Swift’s performance? Do you think it is due to her recording with one of her greatest influence in Tim McGraw?
Macklemore and Ryan Lewis “Can’t Hold Us” continues to top the DJ Music Charts for the fourth consecutive week. This particular chart is from DJ playlists nationwide and is different than the Billboard Hot 100, which has Robin Thicke “Blurred Lines” number 1. The top five of this week’s DJ Music Chart has Icona Pop, Selena Gomez, Justin Timberlake and Daft Punk all holding strong with Daft Punk “Get Lucky” reaching number 5 for the first time.
DJ Music Chart for Week 6/25 – C.H.R Format
Contemporary hit radio (also known as CHR, Contemporary Hits, Hit List, Current Hits, Hit Music, Top 40, or Pop Radio) is a radio format that is common in the United States, United Kingdom, Canada and Australia that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, CHR most often refers to the CHR/pop format. The term Contemporary Hit Radio was coined in the early 1980s by Radio & Records magazine to designate Top 40 stations which continued to play hits from all musical genres such as pop music splintered into Adult contemporary, urban contemporary and other formats. The term Top 40 is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe Top 50; Top 30; Top 20; Top 10; Hot 100 (each with its number of songs) and Hot Hits radio formats, but carrying more or less the same meaning and having the same creative point of origin with Todd Storz as further refined by Gordon McLendon as well as Bill Drake. Omnilexica.com
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What is your current favorite song on the DJ Music Chart this week?
It has taken nearly a year since its original release but Mumford & Sons I Will Wait is finally getting the commercial success it deserves!
“We wanted to do something unashamed,” says Ben Lovett. “We’re confident and happy to be where we are as a band — everything that’s happened with us has exceeded expectations, and it’s all been a surprise, it’s all much bigger than what we were prepared for. So when we came to recording this record we had a choice: to shy away from that, or to realise that people dig what we’re doing, and make something robust, with that energy.” Mumford & Sons Website
Mumford & Sons I Will Wait Critical Response
The song has received generally favourable reviews. Grady Smith of Entertainment Weekly gave the song a positive review, saying how the song “hearkens back to their Grammy-nomination-festooned single “The Cave” with its shouted refrain, triumphant horns, a driving kick drum, and an earnest lyric about a relationship so perfect it has Marcus Mumford kneeling down in reverence, raising his hands, and wishing for his mind to be “freed from the lies.”” Stephanie Middleton of The Celebrity Cafe said, “With untouched vocals and harmonies, the boys manage to create yet another genuine Mumford & Sons track.”
Katie Hasty of HitFix gave the song a B+, saying “Marcus is a softie, but he’s got a problem with repetition,” but also said “they bring it home when they jump up an octave and beat the hell out of the chorus.” She concluded with, “This song could be really huge.” Liv Carter of Urban Country News awarded the song a ‘thumbs-up’. Reviewing the song after it started receiving airplay at country radio, she called it “a perfect piece of folk-rock that more than deserves to be introduced to the wider country radio audience.” Rolling Stone magazine named the song the 13th best song of 2012.
Mumford & Sons I Will Wait Music Video
The Mumford & Sons I Will Wait Story
During the year, the band had been releasing new songs from their second album online or performing them at concerts. Marcus Mumford told MTV that the song “reflects the band’s hectic life on the road – which shaped the new album’s sound.” Ted Dwane told Rolling Stone, “Being away so much for the last couple of years is inevitably a theme on the record, because it’s something that we’ve all shared.” The song was played live in various forms through 2010-2011 under the working title ‘Nothing Is Written’.
What is your favorite part of Mumford & Sons I Will Wait?
This weeks DJ Music Chart has Macklemore and Ryan Lewis on top again with “Can’t Hold Us”. This is their second number hit this year along with “Thrift Shop”. The rest of the top five of this DJ Music Chart has just switched order from last week with Justin Timberlake, Pink, Icona Pop and Selena Gomez.
DJ Music Chart Week of 6/10
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Contemporary Hit Radio, or CHR, focuses on playing new hit songs and a limited play list. In recent years, heavily researched mass appeal oldies have joined the mix.
Modern CHR is a derivative of the Top 40 radio format that dominated the radio landscape in its heyday, the 1960s. A pure CHR format will play songs from a number of music genres including Pop, Rock, Urban and even Country. A CHR station picks the highest chart performing songs for its playlist and rotates, or repeats, the tunes in a very tight turnover that will often repeat the hottest songs every hour or two.
The Early History of the CHR Format
Early Top 40 radio, the precursor to today’s CHR format, found its foothold as TV began to dominate the media landscape and radio stations turned away from radio theater programs toward recorded music formats. Top 40 is exactly as it says it is – the top 40 hit songs of the day, targeted to a local audience. Top 40 also heralded the era of the Disk Jockey, and the local radio personality became the star along with the tight rotation of popular music. Early programming pioneers of Top 40 include Gordon McLendon, Rick Sklar and Todd Storz. The first Top 40 radio stations included, KOWH-Omaha, WABC-New York, KLIF-Dallas and KHJ-Los Angeles. Ham Chat Forum
What is your favorite song on the Current DJ Music Cart for Contemporary Hot Radio?
